He recalls the existence of Arahabaki, surrounded by blue-black darkness, sealed away in the facility, but not how Arahabaki's seal had been removed nor why he formed his own personality and being. This, presumably, forms a valley-like street aptly dubbed Cone Street - the slums.Īlthough his own being with a will and personality, Chūya has no memories of his life before seven years old, the same age Arahabaki and he completely merged. The loss of stability made Arabahaki, now essentially merged with Chūya, lose control, decimating the facility and almost everyone in it, save Rimbaud. The end result made both the god and the vessel lose their memories of anything before the age of seven, eight years prior to meeting Dazai. Forcibly freed from its darkness-filled solitude, the shock gave a new humane existence - Chūya Nakahara. However, Verlaine failed, only obtaining the seal and ultimately freeing Arahabaki. One day, Arthur Rimbaud infiltrated the military and attempted to use Arahabaki's calamitous power as a part of his ability, illumination. Although it had no concept beyond its own existence, Arahabaki knew something restrained and sealed it away from the outside world. It simply existed, sealed away by the Japanese military. Existing as, essentially, the personification of calamity and destruction, Arahabaki knew no concept of time, though, nor personality. Roughly fifteen years ago, Chūya's existence began as the vessel to the God known as Arahabaki.
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